Gram Parsons is one of the most complex characters to regard in the history of country music. Though he wasn’t especially prolific over his truncated career, or regarded highly inside the country music establishment in Nashville or even the Bakersfield scene out in California, history has proven Parsons to be one of the most important and influential characters in the history of country music in the way he popularized country among people outside of the genre.

Though Gram started in The Byrds as nothing more than a salaried piano player, he brought his passion for authentic country music to the legendary West Coast band, persuading them to record a full-blown country album in Nashville that ended up becoming the iconic Sweetheart of the Rodeo. When he left The Byrds shortly thereafter, he became close friends with Keith Richards of The Rolling Stones, and was seminal in persuading that legendary band in a more country direction with their albums Let It Bleed and Sticky Fingers.

Keith Richards & Gram Parsons

Then of course Gram Parsons helped found The Flying Burrito Brothers, which was the prototype of the American country rock band, and later Parsons launched a solo career that among other accomplishments gave rise to the career of Country Music Hall of Famer Emmylou Harris. It’s really hard to to oversell just how significant Gram Parsons was for conveying the beauty of country music to audiences outside of the genre’s fold.

But all of that came to a crashing end 50 years ago today, September 19th, 1973, in Room 8 at the Joshua Tree Inn in Joshua Tree, California. Gram had just finished up recording what would be his final album called Grievous Angel, and was looking to decompress after the sessions. A notorious drinker and drug user, Gram had actually tackled his heroin addiction significantly before starting the recording sessions for the album. But near the end of the project, he began using heavily once more.

Gram Parsons’ Grievous Angel.

So to dry out and decompress, Gram Parson’s manager—the notorious Phil Kaufman—suggested Gram take a retreat to his favorite place in the world, Joshua Tree. At the time, Joshua Tree was not the haven and destinations spot it’s considered today. It was a remote desert area than few saw use for aside from the occasional camping excursion. But Gram Parsons was one of the first to see the beauty in the landscape.

So much of the mystique around Joshua Tree these days is tied in many respects to the Gram Parsons story, and what happened afterward, which is one of the most wild accounts in country or rock ‘n roll history.

After finishing the Grievous Angel sessions, Parsons took his new Jaguar out to Joshua Tree with his high school girlfriend Margaret Fisher that he’d recently rekindled a relationship with. They were joined by an assistant named Michael Martin and his girlfriend Dale McElroy. They stayed at the tiny Joshua Tree Inn in Room 8. Parsons spent time out in the desert during the day, and they would hang out in local bars at night. There was plenty of alcohol around, and the couples were also using barbiturates.

Joshua Tree Inn – Room # 8

At one point, Michael Martin was sent back to L.A. to resupply Room 8 with marijuana. While he was gone, Parsons purchased some liquid morphine from a local woman who injected Parsons and girlfriend Marget Fisher in the Joshua Tree Inn’s Room 1. Gram Parsons overdosed. They transported him back to Room 8, where they tried to help him by giving him a cold shower and coffee, but it was to no avail. They called an ambulance, and Gram Parsons was declared dead on arrival at High Desert Memorial Hospital, 15 minutes after midnight on September 19, 1973.

Though the death of Gram Parsons was definitely mourned by the music community, it wasn’t like the deaths of Jimi Hendrix, Janis Joplin, or others of the era. Gram was really just getting started with leaving his mark on the music world, even if that mark would go on to prove itself indelible and long lasting in the future.

But what did keep the public intrigued about Gram’s death was the wild aftermath. The body of Gram Parsons was supposed to be loaded up in a Western Airlines jet and transported to New Orleans for burial by his family. However, manager Phil Kaufman had other plans. While laying to rest another critically-important California country contributor in Clarence White, Gram had intimated to Kaufman that he didn’t want to be interred in the ground. He wanted to be cremated, and his ashes spread in Joshua Tree.

Phil Kaufman

So in a semi-drunken expedition, Phil Kaufman and a friend borrowed a hearse, talked their way onto the tarmac at the airport and to the hangar where Gram’s body was being kept, and even convinced the individual at Western Airlines to release the body to them under the false notion they were transporting Gram to another airplane. There was even a police officer at the hanger who helped them load the casket into the hearse. They were so nervous, as they were driving out of the hangar, they ran into a wall.

Eventually Phil Kaufman made it out to Joshua Tree, wheeled Gram Parsons in his casket out into the desert, drenched him with five gallons of gasoline, and lit him on fire, leaving him there to burn. Some nearby campers saw the smoke and alerted authorities. Meanwhile Kaufman and the hearse broke down, were involved in a fender bender getting back to Los Angeles, and eventually he got caught and charged with Grand Theft. The remaining remains of Gram eventually made their way to New Orleans where he was laid permanently to rest.

In Joshua Tree, you can find a guitar-shaped memorial to Gram at the Joshua Tree Inn. Room 8 is reserved for those who want to stay where Gram passed into the great beyond. Though many visit Cap Rock in Joshua Tree as the place where Gram was “cremated” and there is a makeshift memorial there, it was actually about a 1/4 mile away where the incident occurred. The National Forrest Service does not officially recognize the incident, perhaps not wanting others to try something similar. The story of the aftermath of Gram’s death was made into a movie called Grand Theft Parsons (2003) starring Johnny Knoxville.

The life of Gram Parson was marked by planting country music seeds in fertile ground that would eventually grow into a deeper appreciation for the genre well beyond its conventional borders. But his death also left a significant mark that continues to be felt in country music and beyond. There is a reason why so many artists choose Joshua Tree as the setting for their album covers or promotional photos, and continue to adopt the Gram Parsons take on Western fashion. He made country music cool.

By John Wesley Karson

John Wesley Karson grew up in Texas in the 1960’s and 70’s and was a fan of the country music scene thriving in Austin and Houston. He first began working in radio as a teenager at KPFT in Houston, a listener supported radio station which featured many of the outlaw country artists of that time. He worked on a volunteer basis at first, cleaning up around the station, emptying trash and taking every opportunity afforded him to learn the technical aspects of running the stations equipment. Eventually he was asked to operate the control board for Jerry Jeff Walker one night when he was guest hosting a radio show. It was at that point John was hooked and he knew his future would be in broadcasting. After 45 years in the broadcasting business, working as a commercial radio disc jockey and talk show host, John Wesley Karson retired in Bakersfield in 2020. When his friend Danny Hill bought KVLI radio in Lake Isabella, California in 2021 and launched Outlaw Country Radio 103.7FM, he asked John if he would like to host a weekend show. He gave John Wesley complete creative control over the shows content and John created “The Icons of Outlaw Country”. “It’s a complete labor of love,” John said, “This is the music I grew up listening to in Texas and I just want to share it with people as a way of honoring the contributions these great artist’s made to the world.” “It’s a celebration of the individual, over the collective and the rights as free and sovereign men and women to create what first and foremost pleased them, not some record company executive occupying space in an office building in lower Manhattan or West Los Angeles. “The right of the artist to demand control of their own destiny and their own intellectual property is a sacred right and only when the artist is able to achieve this is the artist truly free to create. Music is practically the only art form where the rights of the artist are superseded by some corporate weasel in a suit and tie sipping decaf lattes from the back of a limo. “As Ayn Rand put it, a 'Right'…means freedom from compulsion, coercion or interference by other men and that applies to record companies and producers as well as governments.” John Wesley Karson had a front row seat long before the term “Outlaw Country” was even used to describe what was known at that time as the “Cosmic Cowboy” revolution. John’s radio career spanned over four decades and each week he shares music and insight into these icons of country music, taking his listeners on a two hour sonic journey through the past and into the present state of the world of country music from his studios in Bakersfield, California.