Goin’ Down Rockin’: A Look Back at Waylon Jennings’ Final Recordings

A Farewell Steeped in Dignity

Waylon Jennings’ passing at 64 always felt like a missed opportunity. This album, Goin’ Down Rockin’: The Last Recordings, is a bittersweet reminder of his talent and a testament to the songs he left behind.

A Unique Project, Carefully Assembled

Goin’ Down Rockin’ isn’t your typical posthumous release. Waylon recorded the basic tracks with longtime collaborator Robby Turner, intending to revisit them later. Respectful of Waylon’s wishes, Turner waited until the time felt right to complete the songs with other musicians from Waylon’s inner circle.

Mortality’s Haunting Beauty

Many of the songs grapple with Waylon’s own mortality, lending them a depth and weight that resonates.

Respectful Collaboration

Robby Turner’s dedication shines through on every track. The musicians, including Waylon’s guitarist Reggie Young and drummer Ritchie Albright, capture the essence of Waylon’s music with a clear affection for their friend.

Not a Greatest Hits Collection

While the album doesn’t hold chart-topping potential, the quality of the songwriting is undeniable. Tracks like “I Do Believe” showcase Waylon’s introspective brilliance.

Modern Touches on Classic Country

The production choices are interesting. Some moments, like the 80s-inspired “If My Harley Was Runnin’,” might feel dated, but they generally complement the core sound. The expansive production on “Ways of the World” might be divisive, but it’s a bold choice.

A Celebration, Not an Exploitation

Goin’ Down Rockin’ isn’t just about milking unreleased material. It’s a respectful tribute to Waylon Jennings, a chance to hear his final thoughts and music. It’s a fitting coda to a legendary career, a period at the end of a remarkable journey.

Give it a Listen

This album deserves your attention. It’s a chance to experience Waylon Jennings one last time, surrounded by the love and respect of his friends.

Listen Below….

By John Wesley Karson

John Wesley Karson grew up in Texas in the 1960’s and 70’s and was a fan of the country music scene thriving in Austin and Houston. He first began working in radio as a teenager at KPFT in Houston, a listener supported radio station which featured many of the outlaw country artists of that time. He worked on a volunteer basis at first, cleaning up around the station, emptying trash and taking every opportunity afforded him to learn the technical aspects of running the stations equipment. Eventually he was asked to operate the control board for Jerry Jeff Walker one night when he was guest hosting a radio show. It was at that point John was hooked and he knew his future would be in broadcasting. After 45 years in the broadcasting business, working as a commercial radio disc jockey and talk show host, John Wesley Karson retired in Bakersfield in 2020. When his friend Danny Hill bought KVLI radio in Lake Isabella, California in 2021 and launched Outlaw Country Radio 103.7FM, he asked John if he would like to host a weekend show. He gave John Wesley complete creative control over the shows content and John created “The Icons of Outlaw Country”. “It’s a complete labor of love,” John said, “This is the music I grew up listening to in Texas and I just want to share it with people as a way of honoring the contributions these great artist’s made to the world.” “It’s a celebration of the individual, over the collective and the rights as free and sovereign men and women to create what first and foremost pleased them, not some record company executive occupying space in an office building in lower Manhattan or West Los Angeles. “The right of the artist to demand control of their own destiny and their own intellectual property is a sacred right and only when the artist is able to achieve this is the artist truly free to create. Music is practically the only art form where the rights of the artist are superseded by some corporate weasel in a suit and tie sipping decaf lattes from the back of a limo. “As Ayn Rand put it, a 'Right'…means freedom from compulsion, coercion or interference by other men and that applies to record companies and producers as well as governments.” John Wesley Karson had a front row seat long before the term “Outlaw Country” was even used to describe what was known at that time as the “Cosmic Cowboy” revolution. John’s radio career spanned over four decades and each week he shares music and insight into these icons of country music, taking his listeners on a two hour sonic journey through the past and into the present state of the world of country music from his studios in Bakersfield, California.