For our 100th episode, we’re celebrating the untamed spirit of Outlaw Country with a lineup of iconic artists and songs that embody the genre’s rebellious soul. From Kris Kristofferson’s gritty “Border Lord” (1972) and Johnny Cash’s clever “One Piece at a Time” (1976) to Hank Williams Jr.’s defiant “I Got Rights” (1979), we’ll explore the legends who carved their own path outside the Nashville mainstream.

The show will feature classics like The Byrds’ “You Ain’t Goin’ Nowhere” (1968) and The Flying Burrito Brothers’ “Do You Know How It Feels” (1969), alongside mavericks like Joe Ely with his live “Me and Billy the Kid” (1990) and Rusty Weir’s bold “I Heard You Been Layin’ My Old Lady” (1975). We’ll also spotlight unique voices like Doug Sham’s “Texas Me” (2000), Tompall Glaser’s “My Life Would be a Damn Good Country Song” (1992), and Commander Cody’s rollicking “Hot Rod Lincoln” (1972), proving that Outlaw Country’s legacy thrives across decades, blending raw storytelling, irreverent humor, and a fierce independent streak.

Original Air Date February 15, 2025

Playlist
HOUR ONE

Doug Sham – Texas Me – 2000
Grateful Dead – Dire Wolf – 1970
The Byrds – You Ain’t Goin’ Nowhere – 1968
The Flying Burrito Brothers – Do You Know How It Feels – 1969
Rusty Weir – I Heard You Been Layin’ My Old Lady – 1975
Tompall Glaser – My Life Would be a Damn Good Country Song – 1992
Donnie Fritts – Sumpin’ Funky Going On – 1975
Kris Kristofferson – Border Lord – 1972
Joe Ely – Me and Billy the Kid (Live) – 1990
Commander Cody and His Lost Planet Airmen – Hot Rod Lincoln – 1972
Charlie Daniels Band – Uneasy Rider – 2012
Kyle Jennings – Ballad of a Man Called Dad – 2017
Johnny Cash – One Piece at a Time – 1976
Hank Williams Jr. – I Got Rights –1979

HOUR TWO
David Allan Coe – Willie, Waylon & Me – 1976
Gary P. Nunn – [I’ve Got] A Long, Long Way to Go – 1997
Michael Murphey – Geronimo’s Cadillac – 1972
Michael Martin Murphey – Cosmic Cowboy – 2018
B.W. Stevenson – 5 O’clock in the Texas Morning – 1972
Rusty Weir – Sunrise in Port A – 2002
Larry Fleet – Workin’ Hard – 2019
Merle Haggard – Working Man Blues (Live from Austin, TX) – 1978
Steve Goodman – Don’t Do Me Any Favors Anymore – 1972
Billy Joe Shaver – You Just Can’t Beat Jesus Christ – 1987
Blaze Foley – If I Could Only Fly – 1989
Townes Van Zandt – For the Sake of the Song – 1968

By John Wesley Karson

John Wesley Karson grew up in Texas in the 1960’s and 70’s and was a fan of the country music scene thriving in Austin and Houston. He first began working in radio as a teenager at KPFT in Houston, a listener supported radio station which featured many of the outlaw country artists of that time. He worked on a volunteer basis at first, cleaning up around the station, emptying trash and taking every opportunity afforded him to learn the technical aspects of running the stations equipment. Eventually he was asked to operate the control board for Jerry Jeff Walker one night when he was guest hosting a radio show. It was at that point John was hooked and he knew his future would be in broadcasting. After 45 years in the broadcasting business, working as a commercial radio disc jockey and talk show host, John Wesley Karson retired in Bakersfield in 2020. When his friend Danny Hill bought KVLI radio in Lake Isabella, California in 2021 and launched Outlaw Country Radio 103.7FM, he asked John if he would like to host a weekend show. He gave John Wesley complete creative control over the shows content and John created “The Icons of Outlaw Country”. “It’s a complete labor of love,” John said, “This is the music I grew up listening to in Texas and I just want to share it with people as a way of honoring the contributions these great artist’s made to the world.” “It’s a celebration of the individual, over the collective and the rights as free and sovereign men and women to create what first and foremost pleased them, not some record company executive occupying space in an office building in lower Manhattan or West Los Angeles. “The right of the artist to demand control of their own destiny and their own intellectual property is a sacred right and only when the artist is able to achieve this is the artist truly free to create. Music is practically the only art form where the rights of the artist are superseded by some corporate weasel in a suit and tie sipping decaf lattes from the back of a limo. “As Ayn Rand put it, a 'Right'…means freedom from compulsion, coercion or interference by other men and that applies to record companies and producers as well as governments.” John Wesley Karson had a front row seat long before the term “Outlaw Country” was even used to describe what was known at that time as the “Cosmic Cowboy” revolution. John’s radio career spanned over four decades and each week he shares music and insight into these icons of country music, taking his listeners on a two hour sonic journey through the past and into the present state of the world of country music from his studios in Bakersfield, California.