Icons of Outlaw Country with John Wesley Karson

Tune in to Icons of Outlaw Country with your host John Wesley Karson, where the rebel spirit of country music gets its due—raw, unfiltered, and free of Nashville’s glittery chokehold. Hour one kicks off with a double shot of Waylon Jennings, featuring his gritty 1980 gem “Clyde,” followed by a 1978 duet with Johnny Cash, “There Ain’t No Good Chain Gang,” a chain-rattling ode to defiance. Then it’s Chris LeDoux’s 1992 heart-tugger “You Just Can’t See Him from the Road,” straight from a rodeo rider’s soul, and Charlie Daniels Band’s 1976 foot-stomper “Billy the Kid,” proving outlaws don’t need polish—just a fiddle and a snarl. Karson digs deep into the archives, spotlighting artists who lived the life, not just sang it, with stories as wild as the tunes.

Hour two keeps the fire burning, starting with David Allan Coe’s 1975 gut-punch “Piece of Wood and Steel,” a love letter to a battered guitar that hits harder than a barroom brawl. Sammi Smith’s sultry 1970 plea “Help Me Make It Through the Night” slinks in next, dripping with late-night longing. From there, it’s a ramble through the fringes—think Ramblin’ Jack Elliott’s 1968 take on “Don’t Think Twice, It’s Alright,” all dusty and road-worn, alongside Kinky Friedman’s 1976 self-titled “Kinky,” a middle finger to the mainstream with a wink. John Wesley Karson stitches it all together with his gravelly charm, serving up the real deal—outlaw country that spits in the face of cookie-cutter radio and dares you to feel something.

HOUR ONE
Waylon Jennings – Clyde – 1980
Johnny Cash & Waylon Jennings – There Ain’t Good Chain Gang – 1978
Marshall Chapman – Crystal Clear – 1977
Hank Jr. – I’d Love to Knock the Hell Right Out of You – 1999
George Jones – Wrong’s What I Do Best – 1992
Charlie Daniels Band – Billy the Kid – 1976
Chris LeDoux – You Just Can’t See Him from the Road – 1992
The Bellamy Brothers – Old Hippie – 1985
Billy Joe Shaver – Good Ol’ U.S.A. – 1993
Guy Clark – Don’t Let The Sunshine Fool Ya – 1976
Jerry Jeff Walker – Getting By – 1994
Dallas Wayne – I’m Your Biggest Fan – 2023
Johnny Paycheck – Pardon Me (I’ve Got Someone To Kill) – 1979
John Prine – Sweet Revenge – 1973

HOUR TWO
David Allan Coe – Piece of Wood and Steel – 1975
Sammi Smith – Help me Make it Through the Night – 1970
Tompall Glaser – My Life Would Make a Damn Good Country Song – 1994
Gram Parsons – The Streets of Baltimore – 1973
Gary P. Nunn – The Nights Never Get Lonely – 2014
Waylon Jennings – We Had It All – 1974
Ramblin Jack Elliot – Don’t Think Twice, it’s Alright – 1968
Billy Joe Shaver – Wacko From Waco – 2012
Commander Cody – Tina Louise – 1975
Terry Allen – Amarillo Highway – 1979
Ray Willey Hubbard – Up Against the Wall Redneck Mother – 2013
Kinky Friedman – Kinky – 1976
Kinky Friedman – Lady Yesterday – 1976

By John Wesley Karson

John Wesley Karson grew up in Texas in the 1960’s and 70’s and was a fan of the country music scene thriving in Austin and Houston. He first began working in radio as a teenager at KPFT in Houston, a listener supported radio station which featured many of the outlaw country artists of that time. He worked on a volunteer basis at first, cleaning up around the station, emptying trash and taking every opportunity afforded him to learn the technical aspects of running the stations equipment. Eventually he was asked to operate the control board for Jerry Jeff Walker one night when he was guest hosting a radio show. It was at that point John was hooked and he knew his future would be in broadcasting. After 45 years in the broadcasting business, working as a commercial radio disc jockey and talk show host, John Wesley Karson retired in Bakersfield in 2020. When his friend Danny Hill bought KVLI radio in Lake Isabella, California in 2021 and launched Outlaw Country Radio 103.7FM, he asked John if he would like to host a weekend show. He gave John Wesley complete creative control over the shows content and John created “The Icons of Outlaw Country”. “It’s a complete labor of love,” John said, “This is the music I grew up listening to in Texas and I just want to share it with people as a way of honoring the contributions these great artist’s made to the world.” “It’s a celebration of the individual, over the collective and the rights as free and sovereign men and women to create what first and foremost pleased them, not some record company executive occupying space in an office building in lower Manhattan or West Los Angeles. “The right of the artist to demand control of their own destiny and their own intellectual property is a sacred right and only when the artist is able to achieve this is the artist truly free to create. Music is practically the only art form where the rights of the artist are superseded by some corporate weasel in a suit and tie sipping decaf lattes from the back of a limo. “As Ayn Rand put it, a 'Right'…means freedom from compulsion, coercion or interference by other men and that applies to record companies and producers as well as governments.” John Wesley Karson had a front row seat long before the term “Outlaw Country” was even used to describe what was known at that time as the “Cosmic Cowboy” revolution. John’s radio career spanned over four decades and each week he shares music and insight into these icons of country music, taking his listeners on a two hour sonic journey through the past and into the present state of the world of country music from his studios in Bakersfield, California.