Welcome to another rowdy ride on Icons of Outlaw Country, hosted by the legendary John Wesley Karson, where we celebrate the untamed spirit of country music’s rebels.

Today’s show is a special tribute to the enduring family tradition of Hank Williams, honoring the original outlaw’s legacy through his son Hank Jr. and grandson Hank III. These icons carried the torch of raw, unfiltered storytelling, blending heartache and defiance that defined the genre. Tune in as we spin their timeless tracks, diving deep into the Williams dynasty’s impact on Outlaw Country, a movement that defied Nashville’s polish and gave voice to the rugged soul of America.

This edition also features a lineup of classics that embody the Outlaw ethos. We’ll got Billy Joe Shaver’s Ragged Old Truck from 1980, a gritty tale of life on the edge, followed by Jimmy Dale Gilmore’s Tonight I Think I’m Gonna Go Downtown, dripping with lonesome charm. Gary Stewart’s, I Had to Get Drunk Last Night brings the honky-tonk heartache, while John Prine’s, I Guess They Oughta Name a Drink After You serves up poetic rebellion. Also Joe Ely’s, Me & Billy the Kid, Steve Goodman’s Door Number Three, and Lefty Frizzell’s My Rough & Rowdy Ways from 1951. All of these & more on this edition of Icons of Outlaw Country.

Original Air Date: August 9, 2025

Playlist
Hour One

Waylon Jennings – Are You Sure Hank Done It This Way – 1975
Hank Williams – Fan It – 1938
Hank Williams – Move It On Over – 1947
Hank Williams – I’ll Never Get Out of This World Alive – 1952
Hank Williams – Your Cheatin’ Heart – 1953
The Driftin’ Cowboys – The Swing Shift Bounce – 1953
Jack Cardwell – The Death of Hank Williams – 1953
Hank Williams Jr. w/ Don Helms – The Ballad of Hank Williams – 1985
Hank Williams Jr. – The Last Driftin’ Cowboy – 1982
Hank Williams Jr. & Waylon Jennings – The Conversation – 1979
Hank III – Country Heroes – 2006
Hank III – I Don’t Know – 2006
Three Hanks – Moanin’ the Blues – 1996
Three Hanks – Move It On Over – 1996
Hour Two
Billy Joe Shaver – Ragged Old Truck – 1980
Jimmy Dale Gilmore – Tonight I Think I’m Gonna Go Downtown – 1995
Gary Stewart – I Had to Get Drunk Last Night – 2001
John Prine – Yes I Guess They Oughta Name a Drink After You – 1972
Joe Ely – Me & Billy the Kid – 1990
Steve Goodman – Door Number Three – 1975
Lefty Frizzle – My Rough & Rowdy Ways – 1951
Jerry Jeff Walker – Don’t It Make You Wanna Dance – 1977
Rusty Weir – Stoned, Slow, Rugged – 1974
Rusty Weir – Sunrise in Port A – 1972
Chris LeDoux – Tougher Than the Rest – 1992
Towns Van Zandt – For the Sake of the Song – 1968
Willie Nelson – Forgiving You Is Easy – 1975

By John Wesley Karson

John Wesley Karson grew up in Texas in the 1960’s and 70’s and was a fan of the country music scene thriving in Austin and Houston. He first began working in radio as a teenager at KPFT in Houston, a listener supported radio station which featured many of the outlaw country artists of that time. He worked on a volunteer basis at first, cleaning up around the station, emptying trash and taking every opportunity afforded him to learn the technical aspects of running the stations equipment. Eventually he was asked to operate the control board for Jerry Jeff Walker one night when he was guest hosting a radio show. It was at that point John was hooked and he knew his future would be in broadcasting. After 45 years in the broadcasting business, working as a commercial radio disc jockey and talk show host, John Wesley Karson retired in Bakersfield in 2020. When his friend Danny Hill bought KVLI radio in Lake Isabella, California in 2021 and launched Outlaw Country Radio 103.7FM, he asked John if he would like to host a weekend show. He gave John Wesley complete creative control over the shows content and John created “The Icons of Outlaw Country”. “It’s a complete labor of love,” John said, “This is the music I grew up listening to in Texas and I just want to share it with people as a way of honoring the contributions these great artist’s made to the world.” “It’s a celebration of the individual, over the collective and the rights as free and sovereign men and women to create what first and foremost pleased them, not some record company executive occupying space in an office building in lower Manhattan or West Los Angeles. “The right of the artist to demand control of their own destiny and their own intellectual property is a sacred right and only when the artist is able to achieve this is the artist truly free to create. Music is practically the only art form where the rights of the artist are superseded by some corporate weasel in a suit and tie sipping decaf lattes from the back of a limo. “As Ayn Rand put it, a 'Right'…means freedom from compulsion, coercion or interference by other men and that applies to record companies and producers as well as governments.” John Wesley Karson had a front row seat long before the term “Outlaw Country” was even used to describe what was known at that time as the “Cosmic Cowboy” revolution. John’s radio career spanned over four decades and each week he shares music and insight into these icons of country music, taking his listeners on a two hour sonic journey through the past and into the present state of the world of country music from his studios in Bakersfield, California.