The Icons of Outlaw Country – September 16, 2023

Join John Wesley Karson this week as he immerses listeners in the rebellious melodies of outlaw music, centering around the vibrant color blue during part one of the first hour of the show and a celebration of Lone Star beer in the beginning of the second. Delving into the raw and unapologetic spirit of the genre, Karson takes us on a sonic journey that pays homage to the mavericks who defied the establishment and blazed their own trails.

The Icons of Outlaw Country – September 16, 2023

“The Icons of Outlaw Country” is a jubilant celebration of the audacious individualism displayed by a select group of artists who fearlessly challenged the conventions of Nashville, carving out their own unique identities and leaving an indelible mark on the music world. Prepare to be swept away by the rebellious spirit and distinctive sounds that define this remarkable genre.

PLAYLIST

HOUR ONE

  • Blue Eyes Cryin’ in the Rain – Willie Nelson – 1975
  • I’m Lookin’ For Blue Eyes – Jessie Colter – 1976
  • Blue Eyes – The International Submarine Band – 1968
  • Bluebird Wine – Rodney Crowell – 1976
  • Blue Skies – Willie Nelson – 1978
  • The Streets of Baltimore – Bobby Bare – 1966
  • The Streets of Bakersfield – Buck Owens – 1972
  • No Country Music For Old Men – The Bellamy Brothers – 2021
  • The Girl at the End of the Bar – George Jones – 1983
  • The Real Deal Billy – Joe Shaver – 2005
  • Best Friends of Mine – Waylon Jennings – 1998
  • Don’t Let The Sunshine Fool You · Guy Clark – 1976
  • Poncho & Lefty · Townes Van Zandt – 1972

HOUR TWO

  • Lone Star Beer & Bob Wills Music – Red Steagall – 1976
  • Outlaws and Lone Star Beer – CW McCall – 1978
  • What I Like About Texas – Gary P. Nunn – 1997
  • Mamma’s Don’t Let Your Babies Grow Up to Be Cowboys –Waylon & Willie – 1977
  • Getting’ By – Jerry Jeff Walker – 1973
  • My Sense of Humor/Punkin’ Center Barn Dance – DAC – 1977
  • Cooler – N – Hell – Ray Wily Hubbard – 2005
  • Heaven Can’t be Found – Hank Williams Jr. – 1998
  • White Boy – Merle Haggard – 1977
  • Hard Times – Jerry Reed – 1982
  • Workin’ Hard – Larry Fleet – 2019
  • Miles & Miles of Texas – Asleep at the Wheel – 1976
  • Drinkin’ Doubles – The Texas Jamm Band – 2012
  • She’s Actin’ Single (I’m Drinkin’ Doubles) – Gary Stewart – 1975
  • From The Bottle to The Bottom – Kris Kristofferson – 1971

By John Wesley Karson

John Wesley Karson grew up in Texas in the 1960’s and 70’s and was a fan of the country music scene thriving in Austin and Houston. He first began working in radio as a teenager at KPFT in Houston, a listener supported radio station which featured many of the outlaw country artists of that time. He worked on a volunteer basis at first, cleaning up around the station, emptying trash and taking every opportunity afforded him to learn the technical aspects of running the stations equipment. Eventually he was asked to operate the control board for Jerry Jeff Walker one night when he was guest hosting a radio show. It was at that point John was hooked and he knew his future would be in broadcasting. After 45 years in the broadcasting business, working as a commercial radio disc jockey and talk show host, John Wesley Karson retired in Bakersfield in 2020. When his friend Danny Hill bought KVLI radio in Lake Isabella, California in 2021 and launched Outlaw Country Radio 103.7FM, he asked John if he would like to host a weekend show. He gave John Wesley complete creative control over the shows content and John created “The Icons of Outlaw Country”. “It’s a complete labor of love,” John said, “This is the music I grew up listening to in Texas and I just want to share it with people as a way of honoring the contributions these great artist’s made to the world.” “It’s a celebration of the individual, over the collective and the rights as free and sovereign men and women to create what first and foremost pleased them, not some record company executive occupying space in an office building in lower Manhattan or West Los Angeles. “The right of the artist to demand control of their own destiny and their own intellectual property is a sacred right and only when the artist is able to achieve this is the artist truly free to create. Music is practically the only art form where the rights of the artist are superseded by some corporate weasel in a suit and tie sipping decaf lattes from the back of a limo. “As Ayn Rand put it, a 'Right'…means freedom from compulsion, coercion or interference by other men and that applies to record companies and producers as well as governments.” John Wesley Karson had a front row seat long before the term “Outlaw Country” was even used to describe what was known at that time as the “Cosmic Cowboy” revolution. John’s radio career spanned over four decades and each week he shares music and insight into these icons of country music, taking his listeners on a two hour sonic journey through the past and into the present state of the world of country music from his studios in Bakersfield, California.