There are plenty of tall tales in rock folklore that sound too good to be true – because, well, they are. And you could be forgiven for doubting any musician weaving a romantic back story about being on the wrong side of the law and gaining salvation through music – hip-hop is full of them, many greatly exaggerated.

So could it really be true that Merle Haggard, one of the leading figures of the Bakersfield sound and the 1970s “outlaw” country movement who kicked against the Nashville machine’s slicker, more anodyne trends, underwent a drama scene conversion from life as a real-life outlaw, banged up in San Quentin prison, to righteous folk troubadour thanks to seeing Johnny Cash playing a show at the jail?

The Man in Black’s prison performances became legendary thanks to recordings such as the 1968 album At Folsom Prison, and the following year’s At San Quentin. The idea of the show at the former establishment came from his 1955 hit Folsom Prison Blues, telling of being incarcerated there after the narrator “shot a man in Reno just to watch him die”.

Scholars of Cash’s life would later point out that the only time Johnny himself spent behind bars during his lifetime was the odd night in police cells when arrested for drunkenness and drug possession. When he sang lines such as “San Quentin I hate every inch of you”, he explained that he was trying to get inside the mindset of prisoners rather than speaking from personal experience. 

So maybe the Haggard story was a similar result of creative licence? After all, the San Quentin show he recorded for the live album took place in 1969, several years after Haggard was an inmate there. 

But in fact Cash had been playing shows in prisons and correctional facilities regularly since the late 1950s, and it was at one such show, at San Quentin on New Year’s Day 1959, that a 21-year-old Merle Haggard caught his act. Haggard had been in trouble with the law throughout his teens and ended up in San Quentin in 1958 after being sentenced for robbing a roadhouse and then trying to escape from his previous jail. 

He later told of how captivated he was not just with Cash’s music but the whole package: 

“He had the right attitude. He chewed gum, looked arrogant and flipped the bird to the guards – he did everything the prisoners wanted to do. He was a mean mother from the South who was there because he loved us. When he walked away, everyone in that place had become a Johnny Cash fan.” 

Haggard resolved to do something more constructive with his life. As he summed it up: “It set a fire under me that hadn’t been there before.”

He was released on parole in 1960 and immediately began performing and recording. Fast forward to 1969, when Haggard, now with numerous hits to his name, would appear on Cash’s TV show and between numbers, the host mentioned playing at San Quentin. They had the following exchange.

Haggard: “Funny you mention that, Johnny.”

Cash: “What?”

Haggard: “San Quentin.”

Cash: “Why’s that?”

Haggard: “The first time I ever saw you perform, it was at San Quentin.” 

Cash: “I don’t remember you being in that show, Merle.”

Haggard: “I was in the audience, Johnny.”

By John Wesley Karson

John Wesley Karson grew up in Texas in the 1960’s and 70’s and was a fan of the country music scene thriving in Austin and Houston. He first began working in radio as a teenager at KPFT in Houston, a listener supported radio station which featured many of the outlaw country artists of that time. He worked on a volunteer basis at first, cleaning up around the station, emptying trash and taking every opportunity afforded him to learn the technical aspects of running the stations equipment. Eventually he was asked to operate the control board for Jerry Jeff Walker one night when he was guest hosting a radio show. It was at that point John was hooked and he knew his future would be in broadcasting. After 45 years in the broadcasting business, working as a commercial radio disc jockey and talk show host, John Wesley Karson retired in Bakersfield in 2020. When his friend Danny Hill bought KVLI radio in Lake Isabella, California in 2021 and launched Outlaw Country Radio 103.7FM, he asked John if he would like to host a weekend show. He gave John Wesley complete creative control over the shows content and John created “The Icons of Outlaw Country”. “It’s a complete labor of love,” John said, “This is the music I grew up listening to in Texas and I just want to share it with people as a way of honoring the contributions these great artist’s made to the world.” “It’s a celebration of the individual, over the collective and the rights as free and sovereign men and women to create what first and foremost pleased them, not some record company executive occupying space in an office building in lower Manhattan or West Los Angeles. “The right of the artist to demand control of their own destiny and their own intellectual property is a sacred right and only when the artist is able to achieve this is the artist truly free to create. Music is practically the only art form where the rights of the artist are superseded by some corporate weasel in a suit and tie sipping decaf lattes from the back of a limo. “As Ayn Rand put it, a 'Right'…means freedom from compulsion, coercion or interference by other men and that applies to record companies and producers as well as governments.” John Wesley Karson had a front row seat long before the term “Outlaw Country” was even used to describe what was known at that time as the “Cosmic Cowboy” revolution. John’s radio career spanned over four decades and each week he shares music and insight into these icons of country music, taking his listeners on a two hour sonic journey through the past and into the present state of the world of country music from his studios in Bakersfield, California.